articles
By the artist:
‘The Studio as a Shared Collaborative Space: Notes on a Prototype’. E-Flux Architecture October 2022.
‘Cultivating the Possible: Using Design Methodologies for Artistic Research’. ISEA 2022.
‘Alternative narratives and aesthetics in South African digital art: Establishing a digital art practice in South Africa framed through the Internet’. Unpublished 2021.
‘Networked Embodiment Floating Reverie and Digital Connections’. […] Ellipses Journal for Creative Research, no. 3 (May 2020), edited by Tegan Bristow and Mareli Stolp.
Floating Reverie 5 Years 2014–2019, 2019.
‘Using the Internet as a Platform to Destabilise Gallery Spaces, Curation and Artistic Practice’. ISEA 2019.
‘Iterative Curatorial Patterns of a Networked’. DRHA 2019.
Floating Reverie – the online gallery/archive/record/residency presented for Anya Fụlụ Ugo Conference Nigeria, 2015.
‘Floating Reverie: A Networked Curation Experiment’. Technoetic Arts 12, no. 2, 1 December 2014.
‘Networked Production and Curation’ Degrees of Separation, Published in Exhibition Catalogue 2014.
‘Negotiating a Global Culture in South African Digital Art’. Magazine Des Cultures Digitales, no. 71, 6 June 2013.
‘South African Digital Art Practice: An Exploration of the Altermodern’, 2012.
On the artist:
A {Digital} Stitch in Time – Alexia Mellor [Independent Artist]
Carly Whitaker exhibits digital works on the Empire exhibition
http://10and5.com/2015/10/14/a-new-era-7-artists-breaking-the-internet/
If you would like to feature my work, articles or ideas in anything you are creating or writing please contact me for permission and a high 5.